
Sabdham (2025) Movie Filmywap
Sabdham is a Tamil horror-thriller directed by Arivazhagan, starring Aadhi Pinisetty in the lead role. The movie blends paranormal investigations with supernatural mysteries, creating a gripping horror experience. Lakshmi Menon, Simran, and Laila play important roles, adding to the suspense and depth of the film.
Film Name: | Sabdham |
Directed By: | Arivazhagan Venkatachalam |
Featured Cast: | Lakshmi Menon, Redin Kingsley, Aadhi Pinisetty |
Lead Star: | Aadhi Pinisetty |
Duration: | 2h 26m |
Category: | Horror, Thriller |
Launch Date: | 28 Feb 2025 |
Studio: | 7G Films, Aalpha Frames |
Score: | 6/10 |

With a unique storyline centered around sound-based horror, the movie brings in Thaman’s powerful music, Arun Bathmanaban’s eerie cinematography, and Sabu Joseph VJ’s sharp editing to enhance the tension. But does it succeed in delivering a chilling experience? Let’s find out.
Sabdham Actors
Name | Their Roles |
---|---|
Vivek Prasanna | |
Simran | Dr. Daina |
Aadhi Pinisetty | Ruban |
Lakshmi Menon | Avanthika |
Laila | Nancy Daniel |
Redin Kingsley | Arogiyam |
M. S. Bhaskar | |
Rajiv Menon | Dr. Daniel |



Plot Overview
The story follows Ruben (Aadhi Pinisetty), a paranormal investigator called to investigate a series of mysterious suicides at a medical college. His beliefs clash with Avantika (Lakshmi Menon), a resident doctor who dismisses ghosts as hallucinations. However, as more deaths occur, all linked to a terrifying sound, the mystery deepens.
The eerie setting, a former church-turned-medical-college, adds to the unsettling atmosphere. The second half dives into the backstory of the haunted location, revealing dark secrets. While the build-up is intense, some critics felt the execution lacked emotional depth.
Performances & Characterization
- Aadhi Pinisetty gives a solid performance as the determined investigator. His portrayal is both intelligent and emotionally driven.
- Lakshmi Menon has a significant role, contributing to the plot in a meaningful way.
- Simran plays a crucial character who drives the core mystery, especially in the flashback sequences.
- Laila portrays an Anglo-Indian woman, but her dialogue delivery received mixed reactions.
- Redin Kingsley brings comedy, but his humor doesn’t always land well.
Direction & Screenplay
Director Arivazhagan, known for Eeram, sets up a dark and eerie atmosphere using blue-tinted visuals and haunting sound design. The first half is gripping, resembling an investigative thriller, leading up to an explosive interval twist. However, the second half shifts into a revenge horror format, making it somewhat predictable.
The film’s concept of sound-based horror is well-researched, but the storytelling sometimes relies on exposition rather than visual storytelling. The climax in the library is well-shot, but a pre-climax voice-over weakens the impact.
Critical Reviews & Ratings
- Critics gave mixed-to-average reviews, praising its technical brilliance but criticizing its lack of emotional depth.
- Business Connect rated it 2.75/5, appreciating the concept but calling the second half predictable.
- OTTPlay noted that while the film’s premise is engaging, it lacks the emotional impact that made Eeram successful.
- MovieCrow enjoyed the thrilling first half but found the second half overly explanatory.
- NowRunning rated it 2.5/5, commending the sound design but calling the narrative inconsistent.
Public Response
Audience reactions have been mixed. Horror fans loved the sound-based fear elements and eerie visuals, while others found the second half predictable. Many praised Aadhi Pinisetty’s performance, but some felt the film lacked emotional engagement. It’s a good watch for horror lovers, but not a must-watch for general audiences.
Final Verdict
Sabdham is a technically brilliant horror-thriller with a unique concept but inconsistent execution. Aadhi’s strong performance, Thaman’s music, and Arivazhagan’s direction bring great elements to the film, but it falls short in storytelling and emotional depth. Horror enthusiasts may enjoy it, but it isn’t a genre-defining masterpiece.